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Beschreibung
For the cultural history of the Islamic World, writing has long been recognized as a highly important form of art, as calligraphy has traditionally held a particular place in the perception of Islamic elites and their artistic practices. The culture of calligraphy was intimately connected with the production of prestigious book manuscripts, but reached a climax in the creation of single-leaf… calligraphies that were also highly appreciated by collectors in centres of Islamic culture from the Ottoman Mediterranean to post-Timurid Central Asia, Safavid Iran and Mughal India. At the same time, writing by its very nature fulfilled its age-old functions of encoding verbal language as text.
The present volume approaches the variegated aspects of writing, fathoming its ambiguous character between text and image. It contains ten contributions that originated from a conference held at the University of Bamberg in 2019. These studies range from text-image relations in precious manuscripts through the use of Chinese decorated paper for artistic book production, the training of calligraphers and the process of design, to the iconic character of writing in the layout of books, single-leaf works of calligraphy, iconic writing in contemporary art, to more theoretical considerations on aesthetic perception. Dieses Produkt haben wir gerade leider nicht auf Lager.
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Technische Daten
Erscheinungsdatum
20.12.2022
Sprache
Englisch
Originalsprache
Englisch
EAN
9783863098629
Herausgeber
University of Bamberg Press
Serien- oder Bandtitel
Bamberger Orientstudien
Sonderedition
Nein
Seitenanzahl
348
Einbandart
Broschiert
Buch Untertitel
Text-Image Relations in Early Modern Islamic Cultures
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