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Black Iconoclasm
Charles Athanasopoulos (Gebundene Ausgabe, Englisch)
★★★★★
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Beschreibung
In the decade since the 2014 Ferguson Uprising, re-intensified conversations about racial progress continue to be at the forefront of American culture. The moniker Black Lives Matter , for example, emerged as a rallying cry of Black-led mass rebellions calling into question the rigid Western social codes of race, gender, class, and sexuality. These values emerge through iconography: those social… codes reflected by a corresponding rolodex of public symbols (whether positive or negative) in American culture. Black Lives Matter fractured icons such as the first Black president, the innocent police officer, and the charismatic Black male activist opening space for new theories and practices of Black radical disruption. At the same time, groups such as #BLM10, BLM Grassroots, and Mass Action for Black Liberation criticize the Black Lives Matter Global Network as having transformed into a new icon of racial progress, demonstrating that the meaning of Black liberation remains hotly contested. How do we discern Black radical thought and activism from the co-options of Western Man? Are we doomed to repeat a cycle of destroying a few icons only to inevitably produce new ones? In Black Iconoclasm, Charles Athanasopoulos dismantles the Eurocentric notion of iconoclasm as the physical destruction of icons and/or the recovery of supposedly pure counter-ideologies. Instead, Black iconoclasm refers to a liminal orientation toward cracks and fissures in narratives of linear racial progress and teleological narratives of Black liberation. Athanasopoulos examines conflicting messages surrounding Black liberation in post/Ferguson America across activism, Black radical theory, communicative situations, cinema, and street art. Across each arena of American culture, his orientation toward the liminal unsettles the supposed cyclical nature of icons/iconoclasm by demonstrating that theories and practices of Black radical disruption always reflect both Black radical excess and the iconographic residues of Western Man. Those residues do not preclude those theories/practices from teaching us important lessons, they are how those lessons are learned to evolve our theories and practices of Black radical disruption. Institutional capture is neither simply inevitable just as no movement, person, or idea will be totally immune to Western Man’s racial icons. Thus, Black iconoclasm eschews purity politics and the pursuit of epistemological closure in favor of a critical orientation toward ritual transgression and Black radical discernment. Reframing iconoclasm in this way, Athanasopoulos opens avenues for new approaches to the relationship between Black resistance and the co-option of that resistance. Dieses Produkt haben wir gerade leider nicht auf Lager.
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Technische Daten
Erscheinungsdatum
04.09.2024
Sprache
Englisch
EAN
9783031669231
Herausgeber
Springer International Publishing
Sonderedition
Nein
Autor
Charles Athanasopoulos
Seitenanzahl
235
Einbandart
Gebundene Ausgabe
Buch Untertitel
Public Symbols, Racial Progress, and Post/Ferguson America
Schlagwörter
Black Studies, Race, Black Lives Matter, Fanon, Glissant, Nietzsche, Visual Culture
Thema-Inhalt
JBCT - Medienwissenschaften
GTC - Kommunikationswissenschaft
JPH - Politische Strukturen und Prozesse
JBCC - Kulturwissenschaften
Höhe
210 mm
Breite
14.8 cm
Transparenz & Sicherheit
Hersteller: Springer, Europaplatz 3, Heidelberg, Deutschland, 69115, ProductSafety@springernature.com, Springer Nature Customer Service Center GmbH
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