Bis zu 50 % günstiger als neu 3 Jahre rebuy Garantie Professionelles Refurbishment
ElektronikMedien
Tipps & News
AppleAlle anzeigen
TabletsAlle anzeigen
HandyAlle anzeigen
Fairphone
AppleAlle anzeigen
iPhone Air Generation
GoogleAlle anzeigen
Pixel Fold
HonorAlle anzeigen
HuaweiAlle anzeigen
Honor SerieY-Serie
NothingAlle anzeigen
OnePlusAlle anzeigen
OnePlus 11 GenerationOnePlus 12 Generation
SamsungAlle anzeigen
Galaxy XcoverWeitere Modelle
SonyAlle anzeigen
Weitere Modelle
XiaomiAlle anzeigen
Weitere Modelle
Tablets & eBook ReaderAlle anzeigen
Google
AppleAlle anzeigen
HuaweiAlle anzeigen
MatePad Pro Serie
MicrosoftAlle anzeigen
XiaomiAlle anzeigen
Kameras & ZubehörAlle anzeigen
ObjektiveAlle anzeigen
System & SpiegelreflexAlle anzeigen
WearablesAlle anzeigen
Fitness TrackerAlle anzeigen
SmartwatchesAlle anzeigen
Xiaomi
Konsolen & ZubehörAlle anzeigen
Lenovo Legion GoMSI Claw
NintendoAlle anzeigen
Nintendo Switch Lite
PlayStationAlle anzeigen
XboxAlle anzeigen
Audio & HiFiAlle anzeigen
KopfhörerAlle anzeigen
FairphoneGoogle
LautsprecherAlle anzeigen
Beats by Dr. DreGoogleYamahatonies
iPodAlle anzeigen

Handgeprüfte Gebrauchtware

Bis zu 50 % günstiger als neu

Der Umwelt zuliebe

De Gruyter Handbook of Digital and Online Arts Marketing

(Gebundene Ausgabe, Englisch)

Keine Bewertungen vorhanden
Optischer Zustand
Beschreibung
Having an online and digital presence has today become essential for art organizations, artists, and artworks. In the maturing field of arts marketing, there has been an ongoing academic debate in the last decade about the nature and value of two competing approaches: whether an organization-centered or a consumer-centered approach shows a higher relative effectiveness in enhancing the performance criteria of arts organizations (Boorsma, 2006). Shifting the focus from a business orientation, digital and online arts marketing provides an additional promising perspective on the debate (Choi & Burnes, 2013). The current trend of marketing the arts via virtual platform networks more effectively engages international audiences to participate in a co-creation process (Edvardsson, Tronvoll, & Gruber, 2011;), connecting them to the various fields of the arts and sustaining a long-term relational and humanistic network of communities in art appreciation (Thyne & Hede, 2016; Walmsley, 2019). From an organization-centered approach, arts marketing serves as functional tool of an art organization and as a business strategy and mindset. This line of research focuses primarily on how marketing practices facilitate the pursuit of organizational goals and interests in terms of tangible outcomes (such as profits for profit-making arts companies, sponsors, volunteers and donations for non-profit arts organizations) and intangible outcomes (such as the reputation of the organization, or the quality of its stakeholder relationships). A consumer-centered approach addresses these limitations by systematically analyzing and prioritizing consumer needs and desires, perceptions and preferences, and the degree of satisfaction in the marketing of the arts. This approach assumes that adapting arts products or services through the creation of consumer value can increase sales levels through greater consumer satisfaction. However, studies have pointed out that such a business mindset may lead to pitfalls in arts marketing because the creation of consumer-centered arts may hinder the creativity of artists, violate the principles of artistic expression, over-commercialize the field of arts and lower artistic and cultural value. For this Handbook, we consider digital and online arts marketing as a timely and evolving trend that is constantly pushing the boundaries of the existing paradigms to explore new possibilities to achieve a balance between artistic and consumer values. Through a multidisciplinary and co-creation approach, the rise of new media and digital technologies has facilitated digital arts marketing to take the lead (O’Reilly, 2011; Özdemir, Fillis, & Collins, 2020); a trend that has been accelerated by the Covid-19 pandemic and the new normal that has transformed the practices of a mixed-mode of cultural and creative production, distribution, and consumption. In view of rapid social, cultural, and economic changes and the fluid and uncertain contemporary art market, many organizations have begun to reflect on putting aside organization- or consumer- centered approaches and instead turned to the possibility of adopting the logic of mediatization (Have & Pedersen, 2013; Jasson, 2002; Krämer, 2011; Wilke, 2014), creating a mixed-mode of arts collaboration, co-operation, and co-creation of arts marketing (Baumgarth, 2018).
139,95 €
Gebundene Ausgabe | Neu

oder

Auf Lager Versandbereit in 2-3 Werktagen
zzgl.

Du kannst wie immer einen Kaufalarm setzen, wenn du auf das gebrauchte Buch warten möchtest.

Auf Lager Versandbereit in 2-3 Werktagen
zzgl.

Handgeprüfte Gebrauchtware

Bis zu 50 % günstiger als neu

Der Umwelt zuliebe

Technische Daten


Erscheinungsdatum
02.02.2026
Sprache
Englisch
EAN
9783110754612
Herausgeber
De Gruyter
Serien- oder Bandtitel
De Gruyter Handbooks in Business, Economics and Finance
Sonderedition
Nein
Seitenanzahl
168
Auflage
1
Einbandart
Gebundene Ausgabe
Buch Untertitel
Technological, Social, and Cultural Trends
Schlagwörter
Mediatization of the arts, arts marketing, digital and online arts marketing, artists as marketeers, mixed-mode arts marketing, Kunstmarketing, Kunstorganisationen, Kunstwerk, Künstler, Plattformnetzwerke
Thema-Inhalt
KJE - E-Commerce: geschäftliche Aspekte
Höhe
240 mm
Breite
17 cm

Hersteller: Walter de Gruyter, Genthiner Straße 13, Berlin, Deutschland, 10785, productsafety@degruyterbrill.com, De Gruyter GmbH

Warnhinweise und Sicherheitsinformationen

Informationen nach EU Data Act

-.-
Leider noch keine Bewertungen
Leider noch keine Bewertungen
Schreib die erste Bewertung für dieses Produkt!
Wenn du eine Bewertung für dieses Produkt schreibst, hilfst du allen Kund:innen, die noch überlegen, ob sie das Produkt kaufen wollen. Vielen Dank, dass du mitmachst!