This book incorporates a wide theoretical, cultural, literary and historical engagement in exploring the tension between dramatic productions and the forms of censorship they encounter from creation to reception. The Palgrave Handbook of Theatre Censorship offers global new insights into censorship practices, examining attempts at repression motivated either by fears that audiences gathering together to watch live dramatic events will lead to sedition and mass uprisings, or by moral or religious squeamishness requiring the establishment of institutional systems of censorship to curb or suppress the stage. As such, the Handbook aims to initiate redefinitions of what we understand or experience as censorship. Who knew theatre could (still) carry so many threats, or be so widely provocative and dangerous? This is an extraordinary and often eye-opening set of thirty-six individually insightful, wide-ranging and oftentimes disturbing essays, each of which offers unique insights into theatre censorship practices and their impact within a specific political and moral culture. There is a particular emphasis on the recent and current, and the authors speak with first-hand knowledge and from direct experience not only about the restrictions but also how artists sometimes negotiate and evade these. What makes the book so especially fascinating and illuminating is seeing so many examples juxtaposed together. This enables the reader to hear the essays and the cultures talking to and alongside each other. The collection repeatedly breaks fresh ground, and the editors deserve enormous credit for gathering and effectively curating so many reports from the front-line. Steve Nicholson, Emeritus Professor, University of Sheffield, UK Anne Etienne and Graham Saunders’s book is a wide-ranging, incisive and compelling collection of reflections and case studies on the theatre industry’s relationship to censorship and self-censorship from a historical and contemporaneous perspective. An impressive array of authors have been assembled for this volume representing, among them, views on the subject from Spain, Denmark, Norway, Zimbabwe, South Africa, Germany, Italy, Indonesia, Iran, Portugal, Turkey, Brazil, Japan, Ireland, Australia, Russia, England and more. The book is by turns surprising in its curatorial and narrative design and wonderfully effective at delineating the complex and thorny paths that create socio-political cultures where the censorship and self-censorship of theatre artists thrives and/or is efficaciously contested and rebelled against. Of note is a through line of argument in the book around less overt modes of surveillance that police artists’ imaginations and thereby the work they create and produce. At a time in the world where many governments are increasingly seeking to limit artistic expression, this book is a necessary reminder of the many freedoms that have been fought for in theatres around the globe, and how the power of being unsilenced must never be taken for granted. – Caridad Svich. Playwright & Translator This is a truly excellent collection of incisive studies. It is wide-ranging, impressively global in scope, with an illuminating balance of the historical and the contemporary. In its impressive and well-realised ambition, demonstrated by the well-focused intelligence and academic flair of its many contributors, this collection is both magisterial and vital. It is an essential contribution to censorship studies, fascinating and inspiring, a must-read for anyone interested in the subject. – Aleks Sierz. Theatre critic and author of Rewriting the Nation: British Theatre Today (2011) & Good Nights Out: A History of British Theatre Since the Second World War (2021) Weniger zeigen

353,09 €

Broschiert | Neu

oder

Auf Lager

Versandbereit in 4-5 Werktagen

zzgl.

Du kannst wie immer einen Kaufalarm setzen, wenn du auf das gebrauchte Buch warten möchtest.

Auf Lager

Versandbereit in 4-5 Werktagen

zzgl.

Handgeprüfte Gebrauchtware

Bis zu 50 % günstiger als neu

21 Tage Widerrufsrecht

Produktinformationen

Technische Daten

Erscheinungsdatum

29.11.2025

Sprache

Englisch

EAN

9783031673016

Herausgeber

Springer International Publishing

Sonderedition

Nein

Seitenanzahl

670

Einbandart

Broschiert

Schlagwörter

Theatre censorship, Repression, Freedom of expression, Taboos, State mechanisms, Suppression, Global censorship, Dictatorship, Propoganda, History of censorship, Self-censorship

Thema-Inhalt

ATD - Theaterwissenschaft ATY - Geschichte der darstellenden Künste JPVH - Menschenrechte, Bürgerrechte NHTB - Sozial- und Kulturgeschichte

Höhe

235 mm

Breite

15.5 cm

Auf gebrauchten Artikeln oder Originalverpackungen sichtbare Umwelt-, Nachhaltigkeits- oder Zertifizierungsangaben stammen aus der ursprünglichen Herstellerkennzeichnung. Sie stellen keine eigene aktuelle Umwelt- oder Nachhaltigkeitsaussage von rebuy dar. Maßgeblich für das Angebot sind ausschließlich die von rebuy in der Artikelbeschreibung angegebenen Produkteigenschaften.

Transparenz & Sicherheit

Hersteller: Springer, Europaplatz 3, Heidelberg, Deutschland, 69115, ProductSafety@springernature.com, Springer Nature Customer Service Center GmbH

Warnhinweise und Sicherheitsinformationen

Informationen nach EU Data Act

Bewertungen

-.-

Leider noch keine Bewertungen

Sicher bei rebuy kaufen

Sehr gut, 4.57/5.00

Aus 200.000+ Bewertungen

Schreib die erste Bewertung für dieses Produkt!

Wenn du eine Bewertung für dieses Produkt schreibst, hilfst du allen Kund:innen, die noch überlegen, ob sie das Produkt kaufen wollen. Vielen Dank, dass du mitmachst!

Sicher bei rebuy kaufen

Sehr gut, 4.57/5.00

Aus 200.000+ Bewertungen

The Palgrave Handbook of Theatre Censorship

(Broschiert, Englisch)

Optischer Zustand

Produktinformationen

Technische Daten

Transparenz & Sicherheit

Bewertungen

Informationen zu den Zuständen

5 € Willkommensgutschein sichern!